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Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Wednesday, October 6, 2010

Wednesday Book Review / Promotion

The Future of the Past

A comprehensive and eloquent argument for “new traditional” architecture that preserves the style and character of historic buildings.
 
With contemporary design being redefined by architects and urbanists who are recovering the historic language associated with traditional architecture and the city, how might preservation change its focus or update its mission? Steven W. Semes makes a persuasive case that context matters and that new buildings and additions to old buildings should be harmonious with their neighbors.
 
Semes mounts the most thorough attack I’ve ever read on the anti-tradition stance of many architectural and historic preservation professionals. The need for this book is intense….Everyone, including general readers, will find this book’s many illustrations, with their pithy captions, illuminating. This book should help the confused 21st century to create and maintain places of lasting value. (Philip Langdon - New Urban News )

[P]resents a persuasive case against the preservation ethic of oppositional styling; that is, the argument that new additions to historic buildings must be deliberately un-period so as not to be confused with the existing, ‘authentic’ section of the building. Semes illuminates the error of this way of thinking, and walks us through a history of architecture and preservation in the process. (Planetizen.com )

[A] stirring and passionate call to get historic preservation right by respecting the past without making it sacrosanct. (Civil Engineering )

[A] clear and comprehensive argument….adds significantly to the discussion, one that should continue as an important topic within the historic preservation, urban planning, and architecture professions. (AASLH History News )

The Decade’s Most Important Book on Urban Architecture….With the publication of this volume, Steven Semes has vaulted into the first rank of contemporary architectural critics and preservation theorists…. should be must reading for all preservationists and people serving on landmark commissions and design review boards. (Clem Labine - Traditional Building )

Semes has written an indictment so complete and so damning, and yet expressed with such grace and diplomacy, that all thoughtful preservationists and even some modern architects will finally understand, if not admit, the error of their ways….so clear, so strong and so compelling that professionals in the field may be judges by how they react to it. (David Brussat - The Providence Journal )

[S]peaks in common-sense terms, it is didactic and approachable, and the laymen who are in the trenches…will find powerful ammunition in it. (American Arts Quarterly )

[B]eautifully illustrated….comprehensive….[N]eeds to be understood and followed by professional architects and preservationists; most of the lay public, which likes old buildings and neighborhoods, is already on Semes’ side. (Rob Hardy - The Commercial Dispatch )

I do not think I've ever come away from a book more impressed. Its erudition and its force in putting across a complex contrarian argument are incomparable. This book should be required reading for modern architects, who will start to whistle past the graveyard, and preservationists, who will see the error of their ways and, if they are honest, will admit it.... All I can say is read the review - or better yet, go out right now and get the book itself. It is my new bible. (David Brussat - Architecture Here and There, The Providence Journal
 

The Future of the Past: A Conservation Ethic for Architecture, Urbanism and Historic Preservation
by Steven W. Semes

Retail:  $60.00 Amazon: $37.80
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Friday, September 24, 2010

An Architecture of Our Time?

Charles Siegel tackles the criticism of New Classicism and New Urbanism that it resembles a theme park, or if you will a Disneyfication in his book An Architecture of Our Time: The New Classicism. Here is an example. You decide.
Schwartz, Schermerhorn Symphony Center
Theme Park Architecture[?] Which of these two recent buildings is designed to look like a symphony hall, and which is designed to attract gaping tourists, like a theme park?
Above: David Schwartz, Schermerhorn Symphony Center in Nashville, 2006. (Photograph by Kerry Woo.)
Below: Frank Gehry, Walt Disney Concert Hall in Los Angeles, 2003. (Photograph by PDphoto.org.)
Gehry, Walt Disney Concert Hall
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Wednesday, July 14, 2010

Wednesday Book Review / Promotion

Two New Books on Palladio

 

 Palladio and His Legacy: A Transatlantic Journey 

Irena Murray & Charles Hind, editors

 This catalogue of the Palladio and His Legacy exhibition, centred on original drawings and books by the most significant and influential architect in the western world, Andrea Palladio (1508-80), examines his personal development and architecture, his influence on others achieved through his I Quattro Libri dell'Architettura, the subsequent dissemination of his teachings through translations and pattern books in Britain and America, and the influence of Palladianism on architecture in the New World. The promulgation of Palladian principles resulted in new and original interpretations that took firm hold in America, influencing both grand formal buildings and smaller utilitarian structures. The drawings are supported by numerous architectural models. Three large examples--the Pantheon, Villa Rotunda, and Jefferson's unrealized design for the White House--programmatically illustrate the journey from Rome to America. Smaller models along with rare architectural texts and pattern books, through which Palladio's ideas were primarily transmitted, reinforce the themes of the book.

About the Authors

Irena Murray is Sir Banister Fletcher Director of the Royal Institute of British Architects British Architectural Library. Charles Hind is Associate Director and H.J. Heinz Curator of Drawings of the Royal Institute of British Architects British Architectural Library. Calder Loth has been Senior Architectural Historian at the Virginia Department of Historical Resources. Significant additional scientific and historical advice has been provided by the other members of the scientific committee, such as Guido Beltramini, Howard Burns and Pierre Gros. 

180 pages
Publisher: Marsilio (June 29, 2010)

 $45.00 Retail / $ 29.70 Amazon.com

 New Palladians: Modernity and Sustainabilty for 21st Century Architecture
by Alireza Sagharchi and Lucien Steil

In his foreword for this new book, HRH The Prince of Wales states: ‘The New Palladians show the relevance of classical and vernacular traditions to establishing a harmony between man and Nature’. This new book highlights the work of traditional and classical architects, who at the outset of the 21st century are committed to ecological building and sustainable urbanism. The lavish illustrations feature projects from around the world, designed by forty-eight of today’s most outstanding classical architects including: Allan Greenberg, Robert Stern, Andres Duany and Elizabeth Plater-Zyberk, Léon Krier, Quinlan Terry and Jaquelin T Robertson. A discussion on this new culture for building sustainably is provided by the editors, Alireza Sagharchi and Lucien Steil, while leading academics and architects: David Watkin, Léon Krier, Samir Younés, Michael Mehaffy and Brian Hanson and Matthew Hardy have contributed essays on Palladio, his principles and the role of New Palladians. Lucien Steil said: ‘Andrea Palladio’s work exemplifies the contextual adaptability of the principles of classical architecture and urbanism for town and countryside. Today, 500 years later, Palladio is regarded as one of the most infl uential architects in the history of Western architecture. Alireza Sagharchi said: ‘New Palladians recognise environmental stewardship as their greatest architectural challenge in the 21st century and are dedicated to the paradigm of a modernity that infuses sustainability with tradition, design and craftsmanship.

About the Authors

Alireza Sagharchi RIBA, FRSA is an internationally renowned architect and exponent of classical architecture and traditional urban design. He is Principal of Stanhope Gate Architecture + Urban Design, based in London. He has taught at the Prince of Wales’ Institute of Architecture, is a Fellow of The Royal Society of Arts, Chairman of the Traditional Architecture Group at the RIBA, and a member of the College of Practitioners of the International Network for Traditional Building Architecture and Urbanism (INTBAU), the Prince’s Foundation, the Casework Panel of the Georgian Group and the Institute of Classical Architecture and Classical America.

Lucien Steil taught as a visiting professor with the Prince of Wales’ Urban Design Task Force in Potsdam and Berlin, and at universities in the USA and Europe. Currently he is a visiting professor at the University of Notre Dame, Rome.

240 pages
Publisher: ArtMedia (July 16, 2010)
 
$45.00 Retail / $32.85 Amazon.com

Wednesday, July 7, 2010

Wednesday Book Review/ Promotion


Roma Interrotta
Aaron Betsky
Retail Price: $75.00
Amazon: $47.25

In 1978, twelve internationally renown architects gathered around the project Roma Interrotta: based on the map of Rome drawn in 1784 by Gian Battista Nolli, the last architectural planning for the Eternal City, the architects reinterpreted the city with a critical view towards what had been built and destroyed throughout the centuries. The projects were exhibited in Rome in 1978 and then travelled around the world. In 2008, the project was revived and inspired the theme of the Bienniale Architecture in Venice. This book collects the texts and images of the original projects/exhibition, plus the texts written for the Biennale 2008 by Aaron Betsky (Director of the Biennale Architecture), Graziella Lonardi (Director and Founder of Incontri Internazionali d'Arte) and Architect Piero Sartogo, who organised the project in 1978. The collection of drawings will soon be donated to MAXXI, the Museum for Contemporary Art and Architecture in Rome. It includes projects by Piero Sartogo, Costantino Dardi, Antoine Grumbach, James Stirling, Paolo Portoghesi, Romaldo Giurgola, Robert Venturi, Colin Rowe, Michael Graves, Len Kriero, Aldo Ross and Robert Krier.

Milano: Johan & Levi, 2009. 24cm., pbk., 228pp., 17 color, 191 b&w illus. Italian-English text. Exhibition catalogue.

Wednesday, June 30, 2010

Wednesday Book Review/Promotion

The Language of  Towns and Cities:
A Visual Dictionary

by Dhiru Thadani 


Unique in format and expansive in scope, The Language of  Towns and Cities surveys the world of urban design and planning with deep admiration and meticulousness. Architect and town planner Dhiru A. Thadani, and more than fifty expert contributors, bring a wealth of knowledge and experience to this  blend of encyclopedia, illustrated design manual, and stunning photo essay collection.

More than ever before, the quality of urban places is of critical importance to the world’s population. Over half of humanity resides in urban areas, and growth is continually increasing. Poor urban design and planning is bringing about many negative impacts, from inequitable slum conditions to social isolation to the crushing burden of excessive roadways and traffic. This book empowers citizens with the knowledge of city planning
and urban design to demand a more humane built environment for all.

Unlike the medical and legal professions, architecture and planning do not possess a common language to discuss urbanism. Words have been and continue to be misused to communicate ideas, elements, and visions of cities. The Language of Towns and Cities addresses this by visually defining terms and ideas related to the built environment, illustrating their use, application, and best practices.

The book is organized alphabetically, with each word, name, or concept described in text and images. Key personalities in the history and evolution of urban place-making are introduced in concise biographical portraits. Plans and profiles of the greatest examples of town and city design span the full sweep of  history, from antiquity to the present day.

With over 500 definitions, articles, case studies, biographies, and essays, plus thousands of exceptionally informative diagrams and sumptuous photographs, the book is a visual feast for all urbanists, from novice to expert.


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Thadani’s compendium is the equivalent of the Britannica and Webster’s, an encyclodictionary for anyone concerned with the future of the built environment
—Léon Krier

A useful reference for students of urbanism at all levels, this book proves that urban design indeed is a discipline, with its own history, body of knowledge, shared language, and the power to make the built environment beautiful.
—Elizabeth Plater-Zyberk

Dhiru Thadani, one of our profession’s most thoughtful and deeply committed teacher-practitioners, realized some time ago that our cultures’ traditional language of architecture and urbanism had been all but lost
in the building boom that followed World War II. That the “Second America” we hurriedly planned, designed, and built for ourselves was not only not practical, efficient or just, but hope-sappingly ugly; a “Second Class America” in which both town and country had been simultaneously obliterated. The placeless road to the airport had become a national setting. Modernist urbanism had been a failure at almost every level— and become arguably the West’s most toxic export.

In response to this wreckage, Thadani decided as a starter to revisit the language of towns and cities by giving us a “visual dictionary” that would help reacquaint both laymen and practitioners with rational and time-tested ways of making cities and countrysides, and relearn how to “speak” intelligibly about the central responsibility of our profession. His guidebook is a timely and engaging lesson from an important teacher.
—Jaquelin T. Robertson

Dhiru Thadani is an heir to the legacies of Camillo Sitte and Colin Rowe. Sprinkled through this lexicon of urban terms are some of the most lucid didactic representations of urban space that tradition has produced. His juxtaposition of pictorial images and abstract representation will deepen the understanding that anyone, professional or layperson, has of the man made world.
—Daniel Solomon
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804 Pages, 2,500 Sketches, Diagrams, Plans, and Photographs
Available at Amazon.com
Pre-order Price $59.85 including free shipping (List Price $95.00)
The Language Of  Towns and Cities: A Visual Dictionary
by Dhiru A. Thadani
Foreword by Léon Krier
Introduction by Andrés Duany
Robert Benson Photography
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About the Author

Dhiru A. Thadani is a practicing architect and teacher who has worked in North and South America, Europe, and Asia, in urban design, town planning, architectural design, landscape design, and construction management. Léon Krier is a renowned architect who has taught architecture and town planning at the Royal College of Art, London; Princeton University; Yale University; and the University of Virginia. Andrés Duany is one of America’s most influential architects and town planners.

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